Dear Celestial Surfer,
I can't believe it has been nearly a month since my last entry here. I would like to think it is the holidays but there are all sorts of other things that typically sneak in and confound my writing. More things than I like to think about….
It is perhaps time to tell some of your family history. The photo that you see here is of your great grandfather, Hugo, your grandfather Hugo in the middle and me, your father, Hugh -- the goofy-grinned kid (in his favorite sailor outfit) in front: three generations of Schulze.
Your great grandfather came to the United States in the late 1920s just after the Great Depression began. Before that time, he had been a waiter working in restaurants in the south of Europe during the winter months, and then heading north to work when the weather was cooler in the summer.
The story goes that while working at a hotel restaurant in Switzerland, he and a friend were approached with an opportunity to go to New York City. They did -- and there are stories I could tell some time of there arrival in the U.S.
But before we leave Europe, we should talk about how he had left home when he was just a teenager. His mother had remarried (I'm not sure if his biological father died or if his mother had divorced him) and he did not get along well with his stepfather. When he was not quite 18 he was conscripted into the German army to enter World War I.
From the documents I've seen, he worked a machine gun on the Western Front -- one of the most bloody theaters of the war, fighting IN France on the side of the Germans. But because he was younger, he came into the war in 1917 when the war was winding down.
It was an ugly war -- where chlorine gas was used and scarred the lungs of those who did not die from it. The trench warfare was something I can only imagine (and is stunningly described in the novel Birdy, where men tunneled underground in close quarters in total, claustrophobic darkness.
One of the only stories he told my father about that war time was the end of the war….
When a cease fire was announced, all of the soldiers got up from their positions, turned around and walked home. Somewhere along the walk back to Munich (or perhaps Passau, where his sister would ultimately come to live at the confluence of three rivers), he traded his sidearm, a Luger, with a farmer for a night's lodging and food. (I always assumed this was the reason my own father (your grandfather) was so fascinated with guns.)
After the war, he became a waiter -- and eventually his travels would take him from Switzerland (most likely in German-speaking, Zurich) to New York City where he would meet my grandmother.
My grandmother, your great grandmother, was also an immigrant from Scotland who worked as a maid. After they met and were married, your great grandparents had your grandfather in New York.
This was the mid 1930's when Detroit was the fifth most populous city in the United States -- home of the booming auto industry, and your grandfather LOVED cars. [But because he was an adult during the Great Depression, he bought NOTHING on credit: not his car, not his ultimate home. He saved and bought everything in cash.]
Your great grandfather came to Detroit and became Head Waiter at one of the most prominent restaurants in downtown Detroit (I believe it was the Pontchatrain) where the auto executives would come to magnificent lunches.
Your great grandfather (on your grandfather's side) died when I was six or seven. I remember the morning my mother received the call: she had me run out to stop my father who was getting in his car to go to work. It was very sudden, a massive cerebral hemorrhage.
This year, 2013, just before your grandfather died, I asked him about his life with his father, your great grandfather. Because he worked as a waiter most nights, he came home at three or four in the morning. Apparently, my grandmother would be up to welcome home and cook him breakfast before he went to bed.
When my father and his brother would wake up, she would make them breakfast and send them on to school while your great grandfather slept. Of course, it wasn't always like that and they spent time with their father and mother too. Your great grandmother and great grandmother loved going for rides in the country; they loved the fresh air.
In the early 2000s, my father -- your grandfather -- received a call that the last remaining relative in Germany had died and that he and his brother (your great uncle) had inherited an small amount of money.
Being the child of immigrants, I don't think either one of my parents, your grandfather or grandmother (whose parents were from Ireland) had any nostalgia or interest in Europe. For their parents, it had been a place to get AWAY from and both of them had lived low-to-middle income lives. (In your grandmother's case, they were Irish poor, a whole 'nother story.)
I say all of this because I happened to be traveling through Europe at the time and took a train to Passau, where the lawyer handling the affairs of the estate eyed me very cautiously. I was taken to my great aunt's house where the few remains were there.
The grass in the side lot was very tall and it was a beautiful home where you could see a sliver of the Windorf-Passau river below. As I walked through the side lot, my pant leg was roughly scratched by a bush. When I bent down, I realized the bush was full of raspberries.
It is hard to describe how I felt lifting one of these raspberries to my lips and tasting it. You see, when I was very young, I remember your great grandfather growing raspberries in his backyard too.
I would learn after I went into the house and found a box of photos and letters that my grandfather, your great grandfather, had kept in touch with his sister who he dearly loved in all the years he was traveling across Europe, and to New York. They managed to stay in touch off and on through the war years -- and I learned later he sent her money after the war.
And in the bottom of one of the boxes in that house, below layers of summer vacation photographs and postcards, photos from the First World War -- when someone in the family (his stepfather perhaps) was an eye surgeon and was shown with regiments of bandaged men -- through photos of some family member who played clarinet for Goebbels, to some of the first color photographs showing meaty, older German women beside bright pink and red bougainvillea…. I found a black and white picture of me, in a cable knit sweater.
I am holding the little plastic bucket I used to gather raspberries in, staring a little bit surprised (as if I've been interrupted in my berry harvest) -- and on the back of the photo written in what little German I can still read are the words written in my grandfather's hand in pencil: My first grand son.
That is (more than) enough for now. I'll return to tell a few more stories about your great grandmother, about your grandfather, and your grandmother too.
Monday, December 30, 2013
Sunday, December 1, 2013
Every day prayer
Dear Blooming Flower,
With all this talk of holidays, I have been thinking a great deal about what I hope for you.
It's so difficult, given how much we all hope to impose our way of looking at things and doing things, to leave each other open to just seeing and appreciating the world. We want so much to know that our way of looking is the way others look, when each of us look at the world as different as we look from each other. When I think of what I wish for you, it is a way of seeing:
I pray you see the beauty in carnations,
in daisies and cattails.
I pray that if you cringe at touching a frog's slimy skin,
you still love looking into its those big amphibious eyes.
I pray that the skies remain clear enough for you to see the stars beyond,
and you remain curious enough to want to learn the shapes of constellations.
I pray you discover the beauty beyond randomness.
I want you to love the order of the universe and laugh at its chaos.
I pray you know the opposite of Love is not Hate, it is Fear.
I pray that you are fascinated by the stories of the poor and the rich
and you love people for who they are, not who they know.
I pray you understand that words can hurt
but that they needn't hurt you
because you are half of the magic of any spoken spell:
you get to decide if it is true for you.
(People can say many silly (and untrue) things and you mustn't, mustn't believe them.)
I pray that you love the world with curiosity and not with critique.
I pray you come to understand how much I long to see your face --
and when you do that you can imagine how God must feel wanting to see us happy.
With all this talk of holidays, I have been thinking a great deal about what I hope for you.
It's so difficult, given how much we all hope to impose our way of looking at things and doing things, to leave each other open to just seeing and appreciating the world. We want so much to know that our way of looking is the way others look, when each of us look at the world as different as we look from each other. When I think of what I wish for you, it is a way of seeing:
I pray you see the beauty in carnations,
in daisies and cattails.
I pray that if you cringe at touching a frog's slimy skin,
you still love looking into its those big amphibious eyes.
I pray that the skies remain clear enough for you to see the stars beyond,
and you remain curious enough to want to learn the shapes of constellations.
I pray you discover the beauty beyond randomness.
I want you to love the order of the universe and laugh at its chaos.
I pray you know the opposite of Love is not Hate, it is Fear.
I pray that you are fascinated by the stories of the poor and the rich
and you love people for who they are, not who they know.
I pray you understand that words can hurt
but that they needn't hurt you
because you are half of the magic of any spoken spell:
you get to decide if it is true for you.
(People can say many silly (and untrue) things and you mustn't, mustn't believe them.)
I pray that you love the world with curiosity and not with critique.
I pray you come to understand how much I long to see your face --
and when you do that you can imagine how God must feel wanting to see us happy.
Cattails: Part III
Dear Patient Passenger in your mother's belly,
After all of these family reflections, perhaps it is a good time to post this one photo that tells a bit more of the story of the cattails. Here is where you see the cattails opening to the wind, spreading seeds into the wind.
As I think of a holiday prayer for you, I wait for your not just outside of your mother's womb, but hoping to see you out in the world, traveling the world, like the seeds of a cattail. And wherever you land, for however long, may you find joy, reaching down into the soil of that place and knowing it deeply and truly with your heart.
After all of these family reflections, perhaps it is a good time to post this one photo that tells a bit more of the story of the cattails. Here is where you see the cattails opening to the wind, spreading seeds into the wind.
As I think of a holiday prayer for you, I wait for your not just outside of your mother's womb, but hoping to see you out in the world, traveling the world, like the seeds of a cattail. And wherever you land, for however long, may you find joy, reaching down into the soil of that place and knowing it deeply and truly with your heart.
Family
Dear Holiday Traveler,
I wanted to capture this image too because so often we move from place to place from meal to meal and forget the richness of all of the different people we have met.
Here is a photo I hope you will someday treasure. Your great aunt, Kathy, is featured on the left. That's you and your mother in the middle. And to the right is your great grandmother, Marion. I wish I had a few more photos of the people who were gathered around the table this Friday-after-Thanksgiving. But the one thing you should take away from seeing this is how much your mother is loved -- and so too, you.
Denver skies
Dear Little Gobbler,
So this Thanksgiving (2013), you spent the holiday with your mother and me in Denver under some of the most beautiful skies:
So this Thanksgiving (2013), you spent the holiday with your mother and me in Denver under some of the most beautiful skies:
A Night at the Opera: Part II
Dear Distant Singer,
Someday I will bore you with my favorite Marx Brother's movie which, as you probably guessed, is "A Night at the Opera" but for now, I'll tell (as promised) the second part of the opera story.
While seeing Wagner's opera, Parsifal you were particularly active during one scene which as NOT the scene with the flower maidens but rather during a scene in the ACT before when a ritual communion is being held with the Holy Grail: You can hear the song of the deep male voices immediately after the soft voices of prayer of the youth:
Nehmet vom Brot
wandelt es kühn
in Leibes Kraft and Stärke;
treu bis zum Tod;
fest jedem Kühn,
zu wirken des Heilands Werke!
Take of the break,
turn it confidently
into bodily strength and power;
true until death,
steadfast in effort,
to work the Saviour's will!
This prayer comes in at about 06:34 in this clip:
In the end, there is a magnificent (albeit longish) closing scene with a dove descending and the new King, Parisfal, who has remained true standing in the center of a giant golden hand.
Someday I will bore you with my favorite Marx Brother's movie which, as you probably guessed, is "A Night at the Opera" but for now, I'll tell (as promised) the second part of the opera story.
While seeing Wagner's opera, Parsifal you were particularly active during one scene which as NOT the scene with the flower maidens but rather during a scene in the ACT before when a ritual communion is being held with the Holy Grail: You can hear the song of the deep male voices immediately after the soft voices of prayer of the youth:
Nehmet vom Brot
wandelt es kühn
in Leibes Kraft and Stärke;
treu bis zum Tod;
fest jedem Kühn,
zu wirken des Heilands Werke!
Take of the break,
turn it confidently
into bodily strength and power;
true until death,
steadfast in effort,
to work the Saviour's will!
This prayer comes in at about 06:34 in this clip:
In the end, there is a magnificent (albeit longish) closing scene with a dove descending and the new King, Parisfal, who has remained true standing in the center of a giant golden hand.
At which point, after so much earnest, holy music and solemn ceremony, I expect Groucho Marx to jump up and say: Boogie, Boogie, Boogie!
Holiday delays
Dear Womb Warrior,
I hate that it's been a full week since I've posted anything. I'd like to blame the holidays and travel, but (as usual) I just need to improve my discipline.
But having said that: there's certainly plenty to report on (grammatically that should be "plenty on which to report but I'm hoping you'll cut me some slack when you read this later):
First, let's talk about your SECOND opera. Now, I'm not sure if you were kicking up a storm during Wagner's Parsifal because you were enjoying the music or because you couldn't believe your mother could sit in one spot and watch not a whole lot happen on stage for four hours and forty five minutes.
Either way, I would like to get on record that you were certainly active! Especially during the Second Act. Here's a photo of the staging done at the Lyric Opera in Chicago for that production of Parsifal:
The guy in the middle of this neon set is Klingsor who wants to capture - and defile - the pure Parsifal. Because it is through Parsifal's innocence and purity that he will reclaim the Holy Spear and the Holy Grail. (If you're ever interested, I'll tell you the whole story. Or we'll listen to the opera together.)
Now the scene you see captured above comes just before our hero, Parsifal, enters the Enchanted Forest and those ladies in white suddenly become beautiful flowers in the seductive garden. It leads to one of my favorite pieces of music in opera. Perhaps it's a bit kitschy, but I still find it beautiful:
The flower maidens sing: "komm', komm' o holder Knabe" which means "Come, come oh you pretty boy."
What I found interesting is that while you DID kick during this scene, you were more active in another one. I'll leave that for Part II.
I hate that it's been a full week since I've posted anything. I'd like to blame the holidays and travel, but (as usual) I just need to improve my discipline.
But having said that: there's certainly plenty to report on (grammatically that should be "plenty on which to report but I'm hoping you'll cut me some slack when you read this later):
First, let's talk about your SECOND opera. Now, I'm not sure if you were kicking up a storm during Wagner's Parsifal because you were enjoying the music or because you couldn't believe your mother could sit in one spot and watch not a whole lot happen on stage for four hours and forty five minutes.
Either way, I would like to get on record that you were certainly active! Especially during the Second Act. Here's a photo of the staging done at the Lyric Opera in Chicago for that production of Parsifal:
The guy in the middle of this neon set is Klingsor who wants to capture - and defile - the pure Parsifal. Because it is through Parsifal's innocence and purity that he will reclaim the Holy Spear and the Holy Grail. (If you're ever interested, I'll tell you the whole story. Or we'll listen to the opera together.)
Now the scene you see captured above comes just before our hero, Parsifal, enters the Enchanted Forest and those ladies in white suddenly become beautiful flowers in the seductive garden. It leads to one of my favorite pieces of music in opera. Perhaps it's a bit kitschy, but I still find it beautiful:
The flower maidens sing: "komm', komm' o holder Knabe" which means "Come, come oh you pretty boy."
What I found interesting is that while you DID kick during this scene, you were more active in another one. I'll leave that for Part II.
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